Last fall, when we released Hudson Henry’s Panoramas Made Simple, it was our intent to offer a companion volume, Advanced Panoramas, designed for photographers who wanted to go beyond the basics and create complex panoramas. In the end, Hudson and I decided that the advanced course made more sense as a video series than an ebook. (There will be extensive written cheatsheets to go along with the videos, however.).
Hudson is working on that course now, and he anticipates that it will be available in the fall of 2018. Here’s what he says about the new course:
The advanced course is for the photographer who wants to create complex, multiple-row and other specialty panoramas; ones that require extreme precision during the capture process. It will cover the equipment necessary for building these advanced panoramic images and how to calibrate your camera and lenses. It will also offer more advanced editing techniques utilizing Photoshop and other powerful software.
If you purchased Panoramas Made Simple, we’ll let you know when Hudson’s course is ready. If you didn’t purchase the book, and have been waiting for the advanced course, the best thing to do is register over on Hudson’s website; he’ll keep you up to date on that course, as well as any other cool things he’s doing.
[If parts of this post look familiar, I apologize. I posted a small bit about this at the end of the item about the upcoming 9th edition of Complete Digital Photography, but it appeared to have gotten lost in the shuffle, hence the repost.]
While both posts are specific to Photoshop, the first one (Working with Blend Modes) is useful for people using other layer- or effects-based apps with blend mode options, like ON1 Photo RAW, Skylum’s Luminar, and Alien Skin’s Exposure X3, among others.
(See our Bookmarks post from last fall for more about Julianne, and why we think she’s worth following.)
There is a long-standing myth in photography that focal length has an impact on the depth of field in your scene. I know this myth is long-standing because it’s what I was taught, and it is what I have, in turn, been teaching. In fact, early editions of Complete Digital Photography included this very myth. However, with a simple experiment, you can demonstrate that focal length has no impact on actual depth of field.
However, before you start dreading the need to relearn a bunch of old habits, stop. While the theory that has been taught for the last 150 years or so might have been technically incorrect, the practical upshot has been completely valid. So, this article is not so much about changing your hands-on technique. Rather, it’s simply presented to offer you a more accurate explanation of what actually happens to depth of field when you choose one focal length over another. Your everyday practice—using longer lenses to get apparently shallower depth of field—will still apply, but after reading this article, you might have a different understanding of why the depth of field appears different with different focal lengths.
Matt Kloskowski is one of the best Lightroom (and Photoshop) trainers out there, bar none. He has all the hallmarks of a great trainer, including an innate capacity to learn from his students as well as to teach them, and he understands where many users get lost in the weeds with photo editing software.
Over the years, he and I have had a few conversations about the difficulties that some new users run into when setting Lightroom up, and why they never really use the app to the best of its capabilities. To that end, Matt has released a 60-minute Lightroom Crash Course, designed solely to help people get over those initial hurdles when learning Lightroom Classic CC:
This course is meant to cut through all of the thousands of features that Lightroom has and get you feeling good about getting your photos in to it, and (most importantly), to start editing those photos and having some fun. My personal goal in teaching photo editing is to get you editing and enjoying your photography as fast as possible and that’s exactly what this 60 minute crash course will do.
This course is great if you have thought about jumping into Lightroom Classic, or if you’ve played around with it and are confused about things like where your photos are, or how to edit your photos effectively. Despite the course’s short length, Matt also talks about Lightroom features like brushes and graduated filters and how to export and print your photos. In addition, all of the sample photos used in the course are included for you to follow along.
For $50, the Lightroom Crash Course is darn close to a perfect hour (well, an hour and two minutes). And, if you want a deeper dive into Lightroom Classic, check out Matt’s much more comprehensive Lightroom System course, which is currently priced at $150. I highly recommend both courses, although all of Matt’s training—including his courses on Photoshop and ON1’s Photo Raw—is top-notch.
COMING SOON! The 9th edition of the original, best-selling guide to all things digital, Complete Digital Photography gives you everything you'll need to know in order to create great digital photos, from choosing a camera, to getting the best shot, to post-processing. Learn more
Photo RAW Master Class, by Rick and Liz LePage. If you're a user of ON1's photo editing and organization app, this free ebook will turn you into a power user. From better browsing to the coolest filters and easy retouching tips, this book has it all!