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We hit an important milestone this week with the 9th edition of Complete Digital Photography: we received the first proof copy of the book from our printer, and it looks great!
In the last couple of weeks, we prepared the first half of the book to be printed as a test. We wanted to check the general layout, making sure the margins were correct and the fonts readable. We also wanted to get a sense of the look and feel of the book in its new, slightly larger, format. Plus, since it is a book about photography, we also wanted to make sure that the images looked good when printed on our chosen paper type.
Overall, we’re very pleased. The cover looks awesome, and the feedback we’ve gotten from others is that it’s clean and readable inside, with a good balance of images and text. It’s a great feeling to see the physical fruits of something that you’ve worked on for so long, and know that you’re getting closer to the finish line.
We should have the 9th chapter of the upcoming book available as a free download in the next few weeks. If you’re a subscriber to the blog, we’ll let you know as soon as it’s ready. If you’re not a subscriber, it’s quick and easy to sign up for our low-volume mailing list. (You’ll also get the first shot at the book when it’s released in December.)
For more information about the book, check out the Complete Digital Photography 9 video update from Ben Long.
Jeff Carlson has a look at the new features in Lightroom CC 2.0 over on DPReview.com. Version 1.0 was announced last year at the annual Adobe MAX conference, and Jeff looks at what’s new in the second generation of the cloud-centric image management and editing app. He also talks about what’s missing, and where he thinks Adobe might be headed with Lightroom CC:
Adobe is wisely undertaking a more gradual transition, continuing to develop both Lightroom CC and Lightroom Classic simultaneously without an apparent rush to supplant the latter….
Will Lightroom CC ultimately become the one true Lightroom in the future? I believe so, but Adobe doesn’t seem to be in a hurry to get there yet. In the meantime, I think Lightroom CC is becoming more compelling, but Lightroom Classic photographers, especially if they rely on Classic-only features, will continue to watch for it to get more interesting.
This week marks the Adobe MAX conference in Los Angeles, Adobe’s annual centerpiece for product announcements. While there is little major news in the Lightroom Classic/Lightroom CC space (beyond some small updates, which you can read about over on the Lightroom Killer Tips blog), Adobe demoed Photoshop CC for iPad, a brand-new version of the company’s flagship image editor, which “shares the same code base as its desktop counterpart, so there’s no compromise on power and performance or editing results.”
Redesigned for a modern touch experience, Photoshop CC on iPad will deliver the power and precision of its desktop counterpart. Photoshop CC on iPad will let users open and edit native PSD files using Photoshop’s industry-standard image-editing tools and will feature the familiar Photoshop layers panel. With Photoshop CC across devices, coming first to iPad in 2019, you will be able to start your work on an iPad and seamlessly roundtrip all of your edits with Photoshop CC on the desktop via Creative Cloud.
Unlike previous attempts at porting Photoshop to tablets, Adobe appears to be doubling down on the future, which it believes is centered around cloud- and tablet-based editing. The new app (and corresponding desktop versions of Photoshop CC) will use a new format, called Cloud PSD, to sync edits between the cloud and mobile and desktop devices. This new format appears to be similar in intent to the way that Lightroom CC syncs images and edits across devices, albeit in a more Dropbox-style environment.
Adobe gave the Verge an exclusive on the new app, and they have both a good overview of Photoshop CC for iPad and the new Cloud PSD format, as well as a hands-on preview of the app that is well worth watching:
“I’ve been using Photoshop for the iPad for the past week, and it feels distinctly like Photoshop with a few design choices optimized for a touchscreen. It doesn’t have every tool available in desktop Photoshop; in fact, it’s missing the entire upper task bar with the drop-down menu. Instead, you’ll find tools like adjustment layers in the collapsible right-side toolbar.”
[Update: Adobe has made the MAX keynote available online; the Photoshop iPad section starts at approximately 1 hour and 1 minute into the presentation, and lasts about ten minutes.]
Over at DPReview this morning, our old friend Jeff Carlson has a very interesting review of the camera in Apple’s new iPhone XS and XS Max. It’s not a traditional, all-you-need-to-know review, however. Instead, Jeff focuses on the “computational power” found in the phone’s hardware, and how it drives the improved HDR and Portrait modes:
“Aside from folks who still shoot film, almost nobody uses the term ‘digital photography’ anymore – it’s simply ‘photography,’ just as we don’t keep our food in an ‘electric refrigerator.’ Given the changes in the camera system in Apple’s latest iPhone models, we’re headed down a path where the term ‘computational photography’ will also just be referred to as ‘photography,’ at least by the majority of photographers.”
This concept of computational photography will be one of the driving forces in the camera world over the next few years. As we move (slowly) away from big SLRs to mirrorless cameras and vastly improved smartphones, companies like Apple, Google and Samsung could very well be the leaders in this space, leaving traditional camera makers like Canon, Nikon and others to play catch-up.
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