We’ve had a few requests recently for information on the status of the 9th edition of Ben Long’s Complete Digital Photography, so it seemed to be the right time for an update.
While I really do wish that the new edition was finished and ready for sale, I can tell you that the book’s production is well underway. Ben has been diligently working on the book for a while now, and I’ve started on the editing and the design side. The biggest challenge for Ben has been the change in the postproduction landscape since the 8th edition, which has meant that most of those chapters need to be rewritten from scratch.
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I’ve been heads-down the past few weeks, working hard on the 9th edition of Complete Digital Photography. Last week, I was proofing the section of the book that covered reciprocity and the exposure triangle, and, in a little bit of synchronicity, my good friend Hudson Henry posted this cool video on that very topic. Hudson and his friend Andy Adkins — a true video wizard — did a fantastic job explaining the relationship between ISO, aperture and shutter speed. It’s worth a few minutes, especially if the topic is something that remains a bit confusing to you, or if you want a refresher.
For those of you who have been waiting patiently for the 9th edition, we really are in the final stages. You can find out more — and download a free sample chapter — via this link. I’ll post an update once we get our final proof copy from the printer, which should be later this week.
I’ll be helping Hudson Henry with at least two photo workshops next year: Death Valley in early March, and the Palouse in mid-May. Both of these locations are ripe with photographic opportunities, and Hudson is, quite frankly, one of the finest photographers and teachers that I’ve ever had the pleasure to work with.
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Ben and I are in the midst of our final push to get the 9th edition of Complete Digital Photography out the door (the final cover is on the left). My office is littered with page proofs — each chapter gets read a minimum of eight times — and my ever-patient wife is wondering if we’ll ever get this darn book out, but we’re feeling confident overall.
Currently the book is about 420 pages in length, which we’re fairly happy about (we’re waiting on the final chapter layout to dial in the exact page count). We’re close enough that I’ve scheduled the indexer, which is one of the final milestones before releasing the book to the printer. We’re expecting to start taking preorders on December 10, with the book being on sale (from Amazon and other outlets) on December 18.
It looks like we will be able to keep the book in the $50-$55 range, which we think is pretty good, given how much it costs to print in full-color at the book size we’re using. (CDP 9 will be 8″ by 10″, which we think lends a nice photographic serendipity to the whole enterprise.) I know some people won’t be happy with the price, but looking at comparable books, we’re still on the lower side (I just bought an InDesign book that was over $60!).
If you’re new to the site and want to know more about the ninth edition, start with Ben’s video update from a month ago. (All of the CDP posts are available via this link.)
Download Chapter 9 free!
Ben and I signed off on Chapter 9 yesterday, and it’s now live available here on the website. Entitled “Finding and Composing a Photo,” it’s one of Ben’s meatiest chapters, and you can download it entirely free when you sign up for our low-volume mailing list — just use the form below and we’ll send you a link.
Speaking about photo printing, Epson is currently having a mail-in rebate sale on their SureColor P400, P600 and P800 photo printers. The rebates range from $200 to $350, depending upon the printer, for any of these models purchased between November 1 and November 30.
The rebates are good when you purchase a new printer, but Epson is adding $50 for folks upgrading from any 6-ink (or more) photo printer, from any vendor; to get the additional rebate, you just enter the printer serial number and model on the rebate form.
The specifics on the rebates are:
(The links above are to Amazon—which has the cheapest online prices (in the US)—but you can also find out more on the Epson website. The rebate forms are PDF files.)
Why you should care
I’ve used both a P600 and P800 for a few years now, and love both of them. They have bigger ink cartridges than older models, with a better paper feed and excellent print quality—and are pretty much always been ready to print. I will say that Canon is doing a pretty good job in the desktop photo printer market these days, but it’s hard to pass up these prices (and rebates) if you think it’s time to start printing—or upgrade.
(If you’re thinking, “Why print?”, check out my chat about printing with the great guys of the PhotoActive podcast.)
Last week, I was a guest on the PhotoActive podcast, chatting about photo printing with the hosts Jeff Carlson and Kirk McElhearn. We talked about such things as “Why print at all?” (heresy!); why printing today—whether online or with your own printer—is better than it has ever been; and how learning about printing is no different than learning about your camera (practice, practice, practice!). It was a lot of fun, and if you are interested in the state of photo printing today, I humbly think it’s well worth taking time to listen in. It’s short—my segment is only about 30 minutes in length.
I’m not a huge podcast guy—especially ones about such a visual medium as photography—but I’ve really enjoyed PhotoActive since Jeff and Kirk started it up earlier this year. The episodes are brief, with minimal chit-chat, and they find interesting guests (who mostly don’t talk about gear, which I also love). If you want to get a taste, but don’t care about printing, I recommend the recent episode with photographer and author Michael Rubin, who spoke about how his family collected fine-art prints when he was growing up, and how it has informed his photographic life.
PhotoActive is subtitled, “A Podcast about Photography and the Apple Ecosystem,” but the Mac angle is fairly low-key. If you’re a Windows user, don’t avoid it; I’ve found most episodes are focused more on photography than the Mac, and I almost always learn something. It’s worth checking out.
You can subscribe to the podcast via iTunes or Spotify, or download it directly from photoactive.co.
[When it rains, it prints: Epson has great rebates this month on their SureColor photo printer line.]
Ben would really, really like you to buy the upcoming 9th edition of Complete Digital Photography, but he adds that there’s nothing that will help make you a better photographer than to practice. Specifically, to practice the art of seeing.
Get out there and practice, practice, practice!
Sign up today for our email list, and we’ll send you information on the 9th edition as we have it, including sample chapters, discounts and more.
Computational photography is coming up more and more as a topic these days, driven largely by developments in the smartphone world. Apple and Google, specifically, have worked diligently over the past few years to overcome the inherent limitations in the cameras of their pocket-size phones—small sensors and tiny lenses—to produce better images than would be available solely from the phones’ optics alone. By using custom chips, advanced software, dual lenses (in the case of newer iPhones and some Android phones) and more, these phones can create photographs that once required high-end cameras or painstaking compositing to produce. (For more, see Jeff Carlson’s piece on DPReview.com about the computational aspects of the iPhone XS.)
The result is that our phones now use this technology to provide impressive images, ones combined in the phone from multiple “shots.” They include things like automatic high-dynamic range (HDR) photos, seamless panoramas, and portraits with shallow depth of field. Sure, you can find many online commenters who rail against the bad portrait shots and wonky panos as proof that this iPhone or that Pixel is not as good as a basic SLR or mirrorless camera, but that misses the point (something we talk about extensively in Taking Better Pictures Doesn’t Mean a New Camera). Read more »
We hit an important milestone this week with the 9th edition of Complete Digital Photography: we received the first proof copy of the book from our printer, and it looks great!
In the last couple of weeks, we prepared the first half of the book to be printed as a test. We wanted to check the general layout, making sure the margins were correct and the fonts readable. We also wanted to get a sense of the look and feel of the book in its new, slightly larger, format. Plus, since it is a book about photography, we also wanted to make sure that the images looked good when printed on our chosen paper type.
Overall, we’re very pleased. The cover looks awesome, and the feedback we’ve gotten from others is that it’s clean and readable inside, with a good balance of images and text. It’s a great feeling to see the physical fruits of something that you’ve worked on for so long, and know that you’re getting closer to the finish line.
We should have the 9th chapter of the upcoming book available as a free download in the next few weeks. If you’re a subscriber to the blog, we’ll let you know as soon as it’s ready. If you’re not a subscriber, it’s quick and easy to sign up for our low-volume mailing list. (You’ll also get the first shot at the book when it’s released in December.)
For more information about the book, check out the Complete Digital Photography 9 video update from Ben Long.
Jeff Carlson has a look at the new features in Lightroom CC 2.0 over on DPReview.com. Version 1.0 was announced last year at the annual Adobe MAX conference, and Jeff looks at what’s new in the second generation of the cloud-centric image management and editing app. He also talks about what’s missing, and where he thinks Adobe might be headed with Lightroom CC:
Adobe is wisely undertaking a more gradual transition, continuing to develop both Lightroom CC and Lightroom Classic simultaneously without an apparent rush to supplant the latter….
Will Lightroom CC ultimately become the one true Lightroom in the future? I believe so, but Adobe doesn’t seem to be in a hurry to get there yet. In the meantime, I think Lightroom CC is becoming more compelling, but Lightroom Classic photographers, especially if they rely on Classic-only features, will continue to watch for it to get more interesting.
This week marks the Adobe MAX conference in Los Angeles, Adobe’s annual centerpiece for product announcements. While there is little major news in the Lightroom Classic/Lightroom CC space (beyond some small updates, which you can read about over on the Lightroom Killer Tips blog), Adobe demoed Photoshop CC for iPad, a brand-new version of the company’s flagship image editor, which “shares the same code base as its desktop counterpart, so there’s no compromise on power and performance or editing results.”
Redesigned for a modern touch experience, Photoshop CC on iPad will deliver the power and precision of its desktop counterpart. Photoshop CC on iPad will let users open and edit native PSD files using Photoshop’s industry-standard image-editing tools and will feature the familiar Photoshop layers panel. With Photoshop CC across devices, coming first to iPad in 2019, you will be able to start your work on an iPad and seamlessly roundtrip all of your edits with Photoshop CC on the desktop via Creative Cloud.
Unlike previous attempts at porting Photoshop to tablets, Adobe appears to be doubling down on the future, which it believes is centered around cloud- and tablet-based editing. The new app (and corresponding desktop versions of Photoshop CC) will use a new format, called Cloud PSD, to sync edits between the cloud and mobile and desktop devices. This new format appears to be similar in intent to the way that Lightroom CC syncs images and edits across devices, albeit in a more Dropbox-style environment.
Adobe gave the Verge an exclusive on the new app, and they have both a good overview of Photoshop CC for iPad and the new Cloud PSD format, as well as a hands-on preview of the app that is well worth watching:
“I’ve been using Photoshop for the iPad for the past week, and it feels distinctly like Photoshop with a few design choices optimized for a touchscreen. It doesn’t have every tool available in desktop Photoshop; in fact, it’s missing the entire upper task bar with the drop-down menu. Instead, you’ll find tools like adjustment layers in the collapsible right-side toolbar.”
[Update: Adobe has made the MAX keynote available online; the Photoshop iPad section starts at approximately 1 hour and 1 minute into the presentation, and lasts about ten minutes.]