The new book Fifty Years offers a wonderful opportunity to explore a sampling of the complete career of a single photographer. When that photographer is Keith Carter, such exploration is especially satisfying because for the last fifty years, Keith has produced work that is sometimes exemplary, and is always interesting. Even if you’re not taken by Carter’s style, diving deep into a single photographic career is a valuable exercise.
It can take a long time, and a lot of work, to develop your own style. During that process, you can find yourself worrying about all sorts of things from “am I repeating myself?” to “is this a cliché?” to “Is this a dead end/have I taken a wrong turn?” In addition to sapping your confidence, such thoughts are a distraction – they keep you from doing the thinking you should be doing when you’re working. What can be difficult to understand is that everyone has these thoughts, and no one follows a simple, consistent, linear path when pursuing any creative endeavor.
February 20, 2019 by Rick LePage & filed under Our Books
The postproduction tutorials for the 9th edition of Complete Digital Photography use Adobe Lightroom and Photoshop, but if you don’t have a lot of experience with either app, or need a refresher, we’ve posted a page with introductory videos from Ben Long.
February 7, 2019 by Ben Long & filed under General
Last week we wrapped the shooting of my latest LinkedIn Learning (Lynda.com) course, Advanced Flash: Modifiers and Strobes. This was a fun one because we crafted scenarios to light and shoot. Shown above is “writer having a good day” which contrasted heavily, lighting-wise, with “writer having a bad day.” We also brought in dancer Andrew Palermo to provide some fast-moving action to freeze with strobes and to do a little modeling. This course will walk you through more advanced uses for your handheld flashes, how to work with larger strobes, addresses the question of when you need to move to a larger strobe, (and how to buy one) details the use of several kinds of modifiers, and outlines a thought process for solving lighting problems. Keep an eye on this site for details of when it’s live, or you can check out my LinkedIn Learning author page.
Every December and January, there are plenty of “image of the year” round-ups, many of them quite good. This year I was particularly drawn to (and inspired by) two blog posts over on the newly resurgent Flickr. The first, And the winners of Your Best Shot 2018 Are…, contains five spectacular shots chosen from more than 8,000 submissions. What is special about these five is that they have a heart that is transcendent in this day of the ever-present photo stream. And, in the case of the shot above, there is a truth and a poignancy that hits you as you scan the scene, even before you read the attending caption.
Ben was recently a guest on the PhotoActive photography podcast, hosted by Kirk McElhearn and Jeff Carlson. Ben spoke a little bit about the release of the new book; things to think about when learning composition; photographers he likes (and why that changes over time); and why instructing beginners to start with their camera’s Auto mode is one of the best teaching tools out there. At a mere 36 minutes, it’s a great listen.
(I was on the podcast in November, discussing the state of photo printing; as I noted at the time, Kirk and Jeff have created a well-focused, engaging show with a wide-ranging pool of guests. It’s worth subscribing to if you’ve got a interest in photography and want a podcast that spends less time on gear, and more on thoughtful topics of interest. They also keep the segments short, which is a big plus for me.)
January 29, 2019 by Rick LePage & filed under Our Books
We’re happy to report that an updated version of Complete Digital Photography 9, with higher print quality, is now in stock on Amazon. Since our previous message, we’ve pored over proof copies from the two largest print-on-demand companies, Amazon’s Kindle Direct Publishing (KDP) and IngramSpark. (We had been printing using IngramSpark’s basic color process for the original release, and tried out their higher-end print service for this test.)
Ben and I ultimately chose to go with KDP to print and distribute the book on Amazon. The quality of the photos was clearly better than either of IngramSpark’s two color printing processes, and KDP’s binding seemed to be better than the occasional (and slipshod) binding issues we were seeing with IngramSpark.
Because we had to move to a higher print level, we had to price the new version at $64.99. With the higher printing cost, and with KDP taking a bigger cut of the proceeds, it was impossible to keep the book at the old price.
Amazon still has a few copies of the original version in stock, but the new version has a different ISBN identifier (978-1-7326369-2-7), and there is a note about the update in the description. You can find the new book’s page here. (Once the inventory of the old version has been depleted, any confusion between the two versions should fall away.)
We are also working on the ebook version of Complete Digital Photography. The text is in very good shape, but the images need some HTML/CSS love to get them to be displayed optimally on both Amazon’s Kindle and Apple’s iBooks platforms. It’s a bit tedious, but we’re on it, and we’ll let you know when we have firmer dates.
If you have any questions, the best way to start the conversation is to send us an email.
January 14, 2019 by Rick LePage & filed under Our Books
We’ve hit a snag with the ninth edition of Complete Digital Photography, and as a result have pulled the book from distribution while we work through the issues. This is not something we wanted to do, but it is clear that the print quality of the book isn’t at an acceptable level for some readers. We are looking at alternatives to the company that handled the printing and distribution, and once we have determined a path forward, we’ll make the book available again. (The ebook version is underway on a separate track, and we’re still targeting next month for the release of the ebook for Amazon and Apple’s stores.) Read more »
We’re not big on equipment reviews here at Complete Digital Photography, partly because there are plenty of other places to get that kind of information, but also because we would like to encourage people to focus more on the art and craft of photography, rather than worrying about gear. With camera marketers constantly hammering you with news of career-saving new features, it can be hard to resist the idea that a new piece of gear is somehow going to make you a better photographer.
Nevertheless, I am a photographer, which means I do depend on gear, and while no equipment upgrade will do as much for your photographic skill as will hours of dedicated practice, from time to time I do find myself facing some gear-related questions.
Over the last few weeks I’ve had the chance to use the Fujifilm GFX 50S and GFX 50R side-by-side. These are both medium format cameras that offer identical image quality and mostly identical feature sets, but very different physical styles. In the following video, I walk through my impressions of the strengths and weaknesses of each model. This is not a discussion of whether medium format is right for you – that’s a bigger question – but rather a look at what these two specific cameras offer.
In the process of preparing this video I was surprised by a number of my conclusions, and I learned that W.C. Fields was right: you should never work with children or animals. They’ll upstage you every time.
Our good friend—and ace adventure photographer—Hudson Henry has just released his long-awaited Advanced Panorama Course, and is offering it at half-price for a limited time.
Building upon Hudson’s best-selling Panoramas Made Simple ebook (published by CDP Press), this new course contains more than two hours of videos, focusing on all aspects of panorama creation, from choosing gear to field setup, capture, and postproduction.
The Advanced Panorama Course includes everything you need to know to capture both simple panos and complex multi-row and HDR panoramas. Hudson also shows you his process for assembling and editing panoramas in Adobe Lightroom, Photoshop and ON1 Photo RAW. (There are two versions of the course available: one for Lightroom and Photoshop, the other for Photo RAW.)
Included with the course are the raw files Hudson uses in the videos (for you to follow along), as well as a gear list, course notes and cheatsheets.
The Advanced Panorama course is currently on sale for $29.99 directly from Hudson, and will be priced at $59.99 after January 31.
I’ve been heads-down the past few weeks, working hard on the 9th edition of Complete Digital Photography. Last week, I was proofing the section of the book that covered reciprocity and the exposure triangle, and, in a little bit of synchronicity, my good friend Hudson Henry posted this cool video on that very topic. Hudson and his friend Andy Adkins — a true video wizard — did a fantastic job explaining the relationship between ISO, aperture and shutter speed. It’s worth a few minutes, especially if the topic is something that remains a bit confusing to you, or if you want a refresher.
For those of you who have been waiting patiently for the 9th edition, we really are in the final stages. You can find out more — and download a free sample chapter — via this link. I’ll post an update once we get our final proof copy from the printer, which should be later this week.