Every December and January, there are plenty of “image of the year” round-ups, many of them quite good. This year I was particularly drawn to (and inspired by) two blog posts over on the newly resurgent Flickr. The first, And the winners of Your Best Shot 2018 Are…, contains five spectacular shots chosen from more than 8,000 submissions. What is special about these five is that they have a heart that is transcendent in this day of the ever-present photo stream. And, in the case of the shot above, there is a truth and a poignancy that hits you as you scan the scene, even before you read the attending caption.
This week, The New Yorker has an absolutely delightful photo essay, “Where the Amish Go on Vacation,” with photos by Dina Litovsky (and text by Alice Gregory) that capture a “place of brief leisure for people who consider work to be sacred”:
“Each winter, for close to a century now, hundreds of Amish and Mennonite families have travelled from their homes in icy quarters of the U.S. and Canada to Pinecraft, a small, sunny neighborhood in Sarasota, Florida. Arriving on chartered buses specializing in the transportation of ‘Plain people’ from areas such as Lancaster, Pennsylvania, and Holmes County, Ohio, they rent modest bungalows and stay for weeks, or sometimes months, at a time. It’s vacation. For many, it’s the one time of the year that they spend with people from communities other than their own.”
Litovsky doesn’t gawk at or exploit her subjects; instead, she tells this story with respect and care, capturing her subjects as they are in this world. (My favorite photos are the shots of the volleyball game at night, but the entire piece is wonderful.)
The photographer, originally from the Ukraine, is now a resident of the U.S., and has a great eye for people in their environment. Her work has been in National Geographic, New York Magazine, The New York Times, and more. Her website is well worth perusing, especially if you are interested in telling stories through photography.