For a number of years (2008 through 2013), I was the editor and publisher of Photoshop Elements Techniques, a magazine for Elements users (also known as PET). Sadly, the publication—and associated website—shut down in 2016, and I’ve been working on a way to make the back issues of the magazine (and videos) available online. I’m happy to announce that all the back issues (and associated example files) are now available as PDFs here on the CDP website, along with a searchable index.
The back issues page includes all 85 issues arranged in reverse chronological order, with the issue’s list of articles underneath it. You can easily download that issue and extras from the links underneath the cover. If you want to search for specific articles, the index page can be helpful (and you can save the index as a PDF).
If you wish to download all or most of the issues, please see the Magazine Downloads page, where you can get the issues in larger chunks, saving some wear and tear on our server.
For questions related to PET, see the FAQ page. Please remember that the articles and issues are copyrighted to CDP Press and the respective authors; please don’t post or redistribute these issues without talking to us first.
At this time, we have no plans to do anything more with PET, other than make some of the more popular videos available, but we wanted to make the tutorials available free of charge. If you would like to stay on top of any PET-specific changes, you can sign up for our low-volume, no-stress email list by clicking on this link, and making sure you click on the PET Subscribers check box.
Once we have the videos up, we’ll post an announcement on the primary PET Back Issues page.
Following up on the recent Lightroom announcements, Adobe’s Josh Haftel has posted a step-by-step video for making your own creative profiles for use with Lightroom CC, Lightroom Classic, and Adobe Camera Raw. It is well worth watching, if you’re a bit technically inclined; even if you don’t think you’re going to make your own, it’s a fascinating look at what these profiles do.
And, if you’re a Lightroom user, the Lightroom team’s YouTube channel is an excellent source of videos on Lightroom topics. We’re big fans of Benjamin Warde’s Lightroom Coffee Break videos (playlist), which are short—most are 60 seconds or less—little tips for getting the most out of Lightroom. Warde is great at shedding light into a few of Lightroom’s hidden corners, like the recent one below, which shows how to selectively use Lightroom’s Auto setting in the Develop module.
Lightroom 6 has reached the end of its road, so it’s all gravel lane from here on out. The last perpetual revision, Lightroom 6.14, was released on December 19, 2017, and Adobe isn’t going to update or support it going forward. The app still works fine, however, so if you’ve chosen it over Adobe’s subscription offerings (Lightroom CC and Lightroom Classic CC), you shouldn’t see much of a difference for the time being.
Unless you buy a new camera.
If you’re shooting with a camera released after that date, Lightroom 6 won’t recognize those raw files. Camera manufacturers tweak the raw recipe for each camera model, which is why you frequently see updates to Adobe Camera Raw, Photoshop and Lightroom that add new raw formats. Since Adobe ended support for Lightroom 6 at the end of 2017, the software will no longer receive those updates. Read more »
We’ve long advocated Photoshop Elements as the ideal non-subscription image editing app: it is cross-platform, has a decent Organizer, and almost all of the features found in the full version of Photoshop. Right now, through Feb. 20, Photoshop Elements is on sale for $70 on the Adobe site, which is 30% off the list price. And, if you’re interested in video editing as well, the Photoshop Elements/Premiere Elements bundle is priced at $100 (it is normally $150).
With all the brouhaha over Lightroom CC from the fall, one message was clear: that many hobbyists don’t wish to spend anything on a subscription plan. And, at, $70, this is clearly a good deal on the latest version of Elements.
If you’re using adjustment brushes inside Lightroom (Classic or CC) or Adobe Camera Raw, check out Matt Kloskowski’s latest video tutorial, Advanced Brush Settings in Lightroom and Photoshop, which talks about how to use the Flow and Density settings to get better targeted adjustments during your editing sessions. Matt’s explanation of why you want to play with those (rarely discussed) settings is spot-on, and he even includes a sample file for you to follow along with his edits.
Matt is one of the best post-processing and photography instructors out there—as well as an excellent photographer, workshop leader and all-around good guy—and he’s worth following, especially if you’re inside the Adobe ecosystem. He regularly posts great short videos on his site and his Facebook page, and his Photoshop System and Lightroom System courses are the best comprehensive video courses in the market.
Amidst the fury that surrounded Adobe’s fall Lightroom announcements (see The Cost of Software for details), it was easy to miss the fact that there are people who actually want to use Lightroom CC, especially for its promise of a cloud-based, device-independent workflow.
We honestly remain on the fence about the bifurcated Lightroom platform, but we’ve also run into more than a few people who expressed interest in—and asked questions about—Lightroom CC. Most of the questions are about the future of CC, especially since the core app’s feature set at launch was anemic in places. That said, Adobe has posted one major update to Lightroom CC since its release in mid-October, adding curves-based editing and split tone controls, as well as a new Auto image enhancement feature (which also was added to Lightroom Classic in December).
The Photoshop Automator Action Pack has been updated for Photoshop CC 2018, and you can buy the latest version at RobotPhotoshop.com. This is a collection of Automator Actions that allow you to drive Photoshop from Apple’s Automator on Mac OS X. If you’ve never used Automator before, it provides a simple, drag and drop mechanism for creating complex automated workflows. Of course, Photoshop has its own Actions built-in actions facility, but Automator lets you build automations that include other applications, in addition to Photoshop. What’s more, with the Photoshop Automator Action Pack you can build workflows that include branching logic – different operations can be applied to different images based on their size, orientation, bit depth and more. If you’d like to experiment with Automator, a free version of the Photoshop Automator Action Pack is also available at RobotPhotoshop.com along with lots of tutorial videos.
I’ve always believed that Photoshop Elements is the best-kept secret that Adobe has hiding in their arsenal. If you haven’t played around with it, I think you’ll be shocked by its features: it boasts everything from advanced selections with the Refine Edge feature to simplified Guided Edits that keep your processing streamlined. Every time I chat with another photographer about software, they never can believe how much DNA Photoshop and Photoshop Elements share.
Every year, when Adobe introduces their new version of Elements, they always toss in a few fun, fresh features to keep PSE-loyalists happy. This year, I can’t believe how excited I am about two of their new Guided Edit styles: the Double Exposure creator and the Background Changer. These two photo editing methods are incredibly popular, but also tedious and can drive people crazy with making hand-drawn selections. Luckily, thanks to some quick steps, the process just got a whole lot easier!
True to its annual, autumnal form, Adobe today announced Photoshop Elements 2018, the latest version of the company’s image editing and organizational software for photographers, hobbyists, and, in Adobe’s parlance, “memory keepers.” As is the case with most of the yearly Elements updates, the new version doesn’t offer a ton of new features, but mostly adds new components to the Organizer and the Guided Edit modes in the product. (It also benefits from enhancements to the Photoshop engine found at the core of Elements.) Here are a few of the highlights in Elements 2018:
The Organizer adds a few new features designed to help folks work through large photo collections, including an Auto-Curate feature that automatically selects your best photos based on composition, faces, and “quality.” Like most machine-based tools, it will be hit or miss, but I found it fairly good in its execution.
The selection tools have been improved, making it much easier to create complex masks.
An ‘Open Closed Eyes’ feature can automatically copy the open eyes from one portrait and blend them seamlessly into a second one.
New Guided Edit options, including background replacement, double exposure creation, and a number of additional artistic effects.
Additional (and improved) options in the project creation module, including more powerful slideshows, expanded print-at-home projects, and more.