Jeff Carlson on Lightroom CC 2.0

Jeff Carlson has a look at the new features in Lightroom CC 2.0 over on DPReview.com. Version 1.0 was announced last year at the annual Adobe MAX conference, and Jeff looks at what’s new in the second generation of the cloud-centric image management and editing app. He also talks about what’s missing, and where he thinks Adobe might be headed with Lightroom CC:

Adobe is wisely undertaking a more gradual transition, continuing to develop both Lightroom CC and Lightroom Classic simultaneously without an apparent rush to supplant the latter….

Will Lightroom CC ultimately become the one true Lightroom in the future? I believe so, but Adobe doesn’t seem to be in a hurry to get there yet. In the meantime, I think Lightroom CC is becoming more compelling, but Lightroom Classic photographers, especially if they rely on Classic-only features, will continue to watch for it to get more interesting.

 

Photoshop on the iPad Coming in 2019

This week marks the Adobe MAX conference in Los Angeles, Adobe’s annual centerpiece for product announcements. While there is little major news in the Lightroom Classic/Lightroom CC space (beyond some small updates, which you can read about over on the Lightroom Killer Tips blog), Adobe demoed Photoshop CC for iPad, a brand-new version of the company’s flagship image editor, which “shares the same code base as its desktop counterpart, so there’s no compromise on power and performance or editing results.”

Redesigned for a modern touch experience, Photoshop CC on iPad will deliver the power and precision of its desktop counterpart. Photoshop CC on iPad will let users open and edit native PSD files using Photoshop’s industry-standard image-editing tools and will feature the familiar Photoshop layers panel. With Photoshop CC across devices, coming first to iPad in 2019, you will be able to start your work on an iPad and seamlessly roundtrip all of your edits with Photoshop CC on the desktop via Creative Cloud.

Unlike previous attempts at porting Photoshop to tablets, Adobe appears to be doubling down on the future, which it believes is centered around cloud- and tablet-based editing. The new app (and corresponding desktop versions of Photoshop CC) will use a new format, called Cloud PSD, to sync edits between the cloud and mobile and desktop devices. This new format appears to be similar in intent to the way that Lightroom CC syncs images and edits across devices, albeit in a more Dropbox-style environment.

Adobe gave the Verge an exclusive on the new app, and they have both a good overview of Photoshop CC for iPad and the new Cloud PSD format, as well as a hands-on preview of the app that is well worth watching:

“I’ve been using Photoshop for the iPad for the past week, and it feels distinctly like Photoshop with a few design choices optimized for a touchscreen. It doesn’t have every tool available in desktop Photoshop; in fact, it’s missing the entire upper task bar with the drop-down menu. Instead, you’ll find tools like adjustment layers in the collapsible right-side toolbar.”

[Update: Adobe has made the MAX keynote available online; the Photoshop iPad section starts at approximately 1 hour and 1 minute into the presentation, and lasts about ten minutes.]

Photoshop Elements 2019 Ships

Photoshop Elements 2019Adobe today released its annual update to Photoshop Elements, sporting a few new automation features, additional guided-edit functionality, and performance enhancements.

Photoshop Elements 2019, which is available now for $100 (upgrades $80, directly from Adobe), remains Adobe’s sole non-subscription image-editing and organization tool. Sometimes referred to as the “poor man’s Photoshop,” Elements is an extremely capable photo editor, offering most of the important tools found in Photoshop, support for raw photos, and a number of automatic “guided edit” features designed to help you fix or enhance your photos without having to dive into layers and other settings. It also includes an organizational tool, called the Photoshop Elements Organizer, that can be used to import and track your photos. Read more »

Matt K’s Lightroom Crash Course

Matt K Lightroom Crash CourseMatt Kloskowski is one of the best Lightroom (and Photoshop) trainers out there, bar none. He has all the hallmarks of a great trainer, including an innate capacity to learn from his students as well as to teach them, and he understands where many users get lost in the weeds with photo editing software.

Over the years, he and I have had a few conversations about the difficulties that some new users run into when setting Lightroom up, and why they never really use the app to the best of its capabilities. To that end, Matt has released a 60-minute Lightroom Crash Course, designed solely to help people get over those initial hurdles when learning Lightroom Classic CC:

This course is meant to cut through all of the thousands of features that Lightroom has and get you feeling good about getting your photos in to it, and (most importantly), to start editing those photos and having some fun. My personal goal in teaching photo editing is to get you editing and enjoying your photography as fast as possible and that’s exactly what this 60 minute crash course will do.

This course is great if you have thought about jumping into Lightroom Classic, or if you’ve played around with it and are confused about things like where your photos are, or how to edit your photos effectively. Despite the course’s short length, Matt also talks about Lightroom features like brushes and graduated filters and how to export and print your photos. In addition, all of the sample photos used in the course are included for you to follow along.

For $50, the Lightroom Crash Course is darn close to a perfect hour (well, an hour and two minutes). And, if you want a deeper dive into Lightroom Classic, check out Matt’s much more comprehensive Lightroom System course, which is currently priced at $150. I highly recommend both courses, although all of Matt’s training—including his courses on Photoshop and ON1’s Photo Raw—is top-notch.

Adobe updates Lightroom ecosystem

Today, Adobe released updates to its Lightroom family of apps for Windows, Mac, iOS and Android devices. The majority of the updates center around Lightroom CC, but Lightroom Classic also got a little bit of love as well, and many of the options will also trickle to the browser-based version of Lightroom. Here are the main features in the release:

  • The Lightroom CC mobile apps can now create presets. And, with this addition, presets (and profiles) can now be synchronized across all platforms—desktop, mobile, and web. This includes your own custom presets and any third-party presets you’ve added, anywhere in the Lightroom CC app world. (If you’re using Lightroom Classic, Julianne Kost posted a cool tip on how to synchronize presets and profiles between Classic and Lightroom CC mobile devices.)
  • A Manage Preset option has been added to the entire ecosystem, letting you show or hide presets by installed category.
  • The mobile apps also get the Healing Brush tool and chromatic aberration correction. The iOS version of Lightroom CC also has a Long Exposure Technology Preview (for iPhone 7 and up only).
  • You can now copy and paste edit settings inside the Lightroom CC desktop app. And, as you can with Lightroom Classic, you have the option to choose which settings you wish to copy.
  • Lightroom Classic’s HDR and Panorama merge features now include an option to automatically stack the images used and place the finished image at the top of the stack.
  • The Mac versions of Lightroom Classic and Lightroom CC also get support for the High Efficiency Image Format (HEIC), currently used by Apple with their latest iPhone and iPad cameras. This is supported on the Mac for now, but as acceptance grows, it should move to other platforms as well. [For more on HEIC, see this page.]
  • Adobe also added a few new web-portfolio sharing options from within Lightroom CC, letting you control image downloads, and whether metadata and location information is viewable.

Read more »

Rolling Your Own Lightroom Creative Profiles

Following up on the recent Lightroom announcements, Adobe’s Josh Haftel has posted a step-by-step video for making your own creative profiles for use with Lightroom CC, Lightroom Classic, and Adobe Camera Raw. It is well worth watching, if you’re a bit technically inclined; even if you don’t think you’re going to make your own, it’s a fascinating look at what these profiles do.

And, if you’re a Lightroom user, the Lightroom team’s YouTube channel is an excellent source of videos on Lightroom topics. We’re big fans of Benjamin Warde’s Lightroom Coffee Break videos (playlist), which are short—most are 60 seconds or less—little tips for getting the most out of Lightroom. Warde is great at shedding light into a few of Lightroom’s hidden corners, like the recent one below, which shows how to selectively use Lightroom’s Auto setting in the Develop module.

Lightroom CC, Classic updates add profile enhancements

Adobe Lightroom profiles menuAdobe released simultaneous updates this week for Lightroom CC (desktop and mobile) and Lightroom Classic, with a number of new features and enhancements. The biggest feature is an expanded set of profiles for rendering raw files with camera-specific styles and artistic effects.

At their simplest, profiles are the initial transformation of tone and color characteristics to a raw image (before editing), and Adobe historically has applied a default profile (Adobe Standard) to every raw image processed in Lightroom. If people knew about profiles—which was rare—it was most often to apply a camera-specific profile to a photo inside Lightroom. These additional profiles would correspond to the image settings you would find in your camera; my Sony A7RII, for example, has built-in profiles, with names like Deep, Clear, Portrait, Landscape, and I could apply those profiles either in-camera or in Lightroom Classic. Adobe would add those profiles to Lightroom as part of regular Camera Raw updates, and those profiles were tied to the camera used to take the photo.

Profiles have been around for some time, buried at the bottom of the Lightroom Develop panel, in the Camera Calibration pane. Read more »

Using DNG Converter with Lightroom 6 (and Elements) and new cameras

Lightroom 6 has reached the end of its road, so it’s all gravel lane from here on out. The last perpetual revision, Lightroom 6.14, was released on December 19, 2017, and Adobe isn’t going to update or support it going forward. The app still works fine, however, so if you’ve chosen it over Adobe’s subscription offerings (Lightroom CC and Lightroom Classic CC), you shouldn’t see much of a difference for the time being.

Unless you buy a new camera.

If you’re shooting with a camera released after that date, Lightroom 6 won’t recognize those raw files. Camera manufacturers tweak the raw recipe for each camera model, which is why you frequently see updates to Adobe Camera Raw, Photoshop and Lightroom that add new raw formats. Since Adobe ended support for Lightroom 6 at the end of 2017, the software will no longer receive those updates. Read more »

Photoshop Elements 2018 on sale through Feb. 20

We’ve long advocated Photoshop Elements as the ideal non-subscription image editing app: it is cross-platform, has a decent Organizer, and almost all of the features found in the full version of Photoshop. Right now, through Feb. 20, Photoshop Elements is on sale for $70 on the Adobe site, which is 30% off the list price. And, if you’re interested in video editing as well, the Photoshop Elements/Premiere Elements bundle is priced at $100 (it is normally $150).

With all the brouhaha over Lightroom CC from the fall, one message was clear: that many hobbyists don’t wish to spend anything on a subscription plan. And, at, $70, this is clearly a good deal on the latest version of Elements.

Take Control of Lightroom CC ebook

Amidst the fury that surrounded Adobe’s fall Lightroom announcements (see The Cost of Software for details), it was easy to miss the fact that there are people who actually want to use Lightroom CC, especially for its promise of a cloud-based, device-independent workflow.

We honestly remain on the fence about the bifurcated Lightroom platform, but we’ve also run into more than a few people who expressed interest in—and asked questions about—Lightroom CC. Most of the questions are about the future of CC, especially since the core app’s feature set at launch was anemic in places. That said, Adobe has posted one major update to Lightroom CC since its release in mid-October, adding curves-based editing and split tone controls, as well as a new Auto image enhancement feature (which also was added to Lightroom Classic in December).

Read more »