Since writing about Epson’s new photo inkjet line back in April, I’ve gotten a lot of email, mostly from readers curious about the SureColor P900, the 17-inch version (and its 13-inch sibling, the P700). I’m happy to say that the first shipments of the P900 appear to be dribbling into the States. Both models were supposed to be available by early summer, but it does seem that the pandemic wreaked havoc on manufacturing and shipping channels.
All that said, I’m not sure about how full the channel actually is at the moment. I have a P900 arriving today, but it was ordered five months ago. I also know of a few other folks who’ve received P700s in the past 60 days, but Adorama and B&H have both the printers back-ordered. My advice to anyone looking for these units would be to order one from your preferred source, to get into the queue. I believe that a big part of the reason they’re back-ordered is that most arriving units are being sent right back out to folks who preordered theirs.
June 10, 2020 by Rick LePage & filed under Printing
I recently had a discussion about printing with Jeff Carlson and Kirk McElhearn for their PhotoActive podcast. The episode, “What to Print,” covered a wide range of topics: we chatted about how I choose which photos to print, why I feel that printing is important to your growth as a photographer, and what it means to call yourself an artist. It was a fun and lively exchange (and yes, Jeff has finally bought a printer!).
As many readers know, I feel quite strongly about the power of the photographic print. It doesn’t matter if you print to your own device or upload to an online service. In this day of small screens and Instagram, Flickr and 500px, we have lost some of the tactile magic that we get in seeing our photographs on paper. There are times when I worry about what will happen to the snapshots and artistic photos we all take over the course of our lives; the digital ‘shoebox’ just doesn’t feel as real to me as the actual ones that many of us grew up with. (I wrote a piece on my personal blog a few years ago, A Life, Photographed, about why the print is such an important part of our lives.)
Ben and I have spoken with Jeff and Kirk before on PhotoActive, and I love their short, focused approach to podcasts. The episodes are only about 30 minutes in length, and they move quickly.
If you’re interested at all about printing, please give it a listen. As I noted during the episode — and in my recent post about the West photo project — I have been printing quite a bit more recently. I should have a review of the new Epson inkjets later this summer, and I am also working on a short book for CDP Press about printing, which we’re hoping to have out later this year.
April 24, 2020 by Rick LePage & filed under Printing
Epson this week announced the SureColor P700 and P900 printers, updates to their SureColor 13- and 17-inch, pro-level photo printer line. The new desktop printers offer a smaller footprint; a new pigment-based inkset with 10 inks; improved color gamut; and enhanced connectivity and paper-handling options. In addition — and possibly the most important enhancement for many photographers — the P700/P900 printheads have dedicated channels for the matte and photo black inks, eliminating the previous generation’s ink- and time-consuming process of switching black inks when moving between glossy and matte paper types.
When speaking with students, Ben and I will often talk about the importance of projects as an element in one’s photographic growth. While we tend to talk about this in the context of practicing, projects can take on a life of their own, and can help motivate you, either when you’re out in the field, or simply to get you out shooting. It can also be the type of thing that can fine tune your ultimate photographic vision.
A project can be anything thematic, and it doesn’t necessarily have to be of tangible ‘things,’ although it can be, like Ben’s tree project, which he mentioned in Chapter 9 of Complete Digital Photography (that chapter is available as a free download from the book support page):
One way to make yourself practice, and to breathe new life into familiar locations, is to give yourself an assignment. You can choose a subject—old cars, doorways, local flowers—or maybe a phrase or a word—contentment; no pain, no gain; a penny saved. The subject matter or word doesn’t have to mean anything to anyone else, and you can interpret it any way you want. The idea is simply to give yourself some way to frame your view of your location. Having a specific point of view or photographic goal will often make you see familiar ground in a new way. I like shooting trees, so I keep an ongoing tree project. Often, going out with the idea of shooting trees takes the pressure off; I don’t have to worry about finding subject matter. The world is a big place, and limiting it can make shooting much simpler.
November 5, 2018 by Rick LePage & filed under Printing
Speaking about photo printing, Epson is currently having a mail-in rebate sale on their SureColor P400, P600 and P800 photo printers. The rebates range from $200 to $350, depending upon the printer, for any of these models purchased between November 1 and November 30.
The rebates are good when you purchase a new printer, but Epson is adding $50 for folks upgrading from any 6-ink (or more) photo printer, from any vendor; to get the additional rebate, you just enter the printer serial number and model on the rebate form.
(The links above are to Amazon—which has the cheapest online prices (in the US)—but you can also find out more on the Epson website. The rebate forms are PDF files.)
Why you should care
I’ve used both a P600 and P800 for a few years now, and love both of them. They have bigger ink cartridges than older models, with a better paper feed and excellent print quality—and are pretty much always been ready to print. I will say that Canon is doing a pretty good job in the desktop photo printer market these days, but it’s hard to pass up these prices (and rebates) if you think it’s time to start printing—or upgrade.
(If you’re thinking, “Why print?”, check out my chat about printing with the great guys of the PhotoActive podcast.)
Last week, I was a guest on the PhotoActive podcast, chatting about photo printing with the hosts Jeff Carlson and Kirk McElhearn. We talked about such things as “Why print at all?” (heresy!); why printing today—whether online or with your own printer—is better than it has ever been; and how learning about printing is no different than learning about your camera (practice, practice, practice!). It was a lot of fun, and if you are interested in the state of photo printing today, I humbly think it’s well worth taking time to listen in. It’s short—my segment is only about 30 minutes in length.
I’m not a huge podcast guy—especially ones about such a visual medium as photography—but I’ve really enjoyed PhotoActive since Jeff and Kirk started it up earlier this year. The episodes are brief, with minimal chit-chat, and they find interesting guests (who mostly don’t talk about gear, which I also love). If you want to get a taste, but don’t care about printing, I recommend the recent episode with photographer and author Michael Rubin, who spoke about how his family collected fine-art prints when he was growing up, and how it has informed his photographic life.
PhotoActive is subtitled, “A Podcast about Photography and the Apple Ecosystem,” but the Mac angle is fairly low-key. If you’re a Windows user, don’t avoid it; I’ve found most episodes are focused more on photography than the Mac, and I almost always learn something. It’s worth checking out.
You can subscribe to the podcast via iTunes or Spotify, or download it directly from photoactive.co.
[When it rains, it prints: Epson has great rebates this month on their SureColor photo printer line.]
In the last decade, printing your images out on real paper seems to have fallen out of fashion. As digital has conquered the world of film, many photographers–professional or personal–no longer print out their photos. Whenever I tell people about printing out my images, they act confused; “Why would you print them out?” Yet every time I give physical photos as gifts, my friends and family absolutely love them.
Many people don’t have photo printers at home, as they can be pricey to buy and stock regularly. That’s why I’ve fallen in love with the world of printing apps; why pay bucket loads for special paper and expensive ink when someone else can send you gorgeous prints with no hassle?
There are a lot of printing apps popping up, so I’ve compiled my favorites to help you choose the best option for you. Read more »
January 15, 2008 by Rick LePage & filed under Printing
HP today announced the Photosmart Pro B8850, a $550 photo inkjet with eight pigment-based inks, including dual black inks for photo and matte papers and a gray ink for better black-and-white printing. The printer, which is slated to ship in April, looks like it will be a strong contender to Epson’s Stylus Photo R1900, a similarly priced photo inkjet that was announced last week.
If you want more info on the B8850, check out the specs and analysis over on Printerville; a first look at the printer should be posted later this week.
Over on Macworld.com, I posted a short review regarding Epson’s latest professional-level printer, the 17-inch Stylus Pro 3800.
The 3800 is a funny beast—it has the best print quality of any previous Epson printer, and it is priced in a place where it has no real competitor. There is no roll-feed attachment—17 by 22 inches is the largest standard size it will print on—and it doesn’t have the whiz-bang features that HP and Canon are putting into their pro-level printers, like automatic addition of paper profiles, a Photoshop plug-in, and fancy calibration tools. And, while it fixes the physical ink swapping found in the Stylus Photo R2400 and the Stylus Pro 4800, it still does have to go through a purge cycle when you go back and forth between matte- and glossy-finish paper types.
That said, print quality and repeatability are often what pro photgraphers want most, and the 3800 has that in spades.