I’ve always believed that Photoshop Elements is the best-kept secret that Adobe has hiding in their arsenal. If you haven’t played around with it, I think you’ll be shocked by its features: it boasts everything from advanced selections with the Refine Edge feature to simplified Guided Edits that keep your processing streamlined. Every time I chat with another photographer about software, they never can believe how much DNA Photoshop and Photoshop Elements share.
Every year, when Adobe introduces their new version of Elements, they always toss in a few fun, fresh features to keep PSE-loyalists happy. This year, I can’t believe how excited I am about two of their new Guided Edit styles: the Double Exposure creator and the Background Changer. These two photo editing methods are incredibly popular, but also tedious and can drive people crazy with making hand-drawn selections. Luckily, thanks to some quick steps, the process just got a whole lot easier!
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Last year, not long after it came out, I bought a Fuji X100 because I was intrigued by the promise of a small, rangefinder-like camera with a fixed 35mm lens. I liked the idea of being forced to shoot with a specific field of view; I loved the look and feel of the camera; and it’s hard to beat Fuji’s lens and image quality. What was easy to beat, at the time, was the X100’s autofocus and clumsy menu system. These issues were so frustrating that I sold the camera not long after I bought it. I came to mildly regret this decision as Fuji released firmware updates that addressed many of the issues that had bothered me, but didn’t think seriously about returning to the camera. But with the release of the Fuji X-E1, I couldn’t resist giving Fuji another chance. Here are some of my impressions and thoughts about Fuji’s latest mirrorless camera.
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There are lots of ways to convert color images to black and white. In Photoshop, you can use a grayscale mode change, or convert the image to L*A*B color and then extract the Luminance channel. Or, you can pull a single RGB channel, drain the saturation out of an image or use Photoshop’s excellent Black and White conversion tool. The list goes on and on, but in my opinion, the best way to perform black and white conversion (more accurately called grayscale conversion is with nik’s Silver Efex Pro 2, a plug-in for Photoshop, Aperture, and Lightroom.
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A photographer friend recently sent me this extraordinary collection of color images shot during the Depression. One of the things that’s fascinating about looking at them is that we simply are not accustomed to this subject matter being in color. It’s a fine example of McCluhan’s “medium is the message” idea. Your choices of black and white or color, grungy or sharp, saturated or muted – all of these have a huge impact on the reaction the viewer will have. For film photographers, many of these decisions are determined by film choice, and the ability to choose specific films to achieve a particular look or feel is one of the great advantages of film shooting. Alien Skin Exposure, a sophisticated film-simulating Photoshop plug-in, gives this same power to digital photographers. Read more »