If you’ve ever tried to print a digital photo, then you know that an image that looks good on-screen won’t necessarily look good on paper. In this three-day, intensive workshop—from January 26-28—you’ll learn how to get great-looking prints from an inkjet photo printer. Through lecture, demonstration, and lots of hands-on work, Ben Long will guide you through the process of editing your images for print. In addition, you’ll learn about configuring printer drivers, using color management tools, and choosing a printer and paper. Most importantly, you’ll begin the process of developing an eye for image analysis and print aesthetics. Though this isn’t a shooting class, you’ll have some time for shooting in beautiful San Francisco, and we’ll devote a little class time to image evaluation and group critique. If you’re unsatisfied with the quality of your digital prints, and frustrated by how much paper and ink you consume to get a good print, then this is the workshop for you.
The Photoshop Automator Action Pack has been updated for Photoshop CC 2018, and you can buy the latest version at RobotPhotoshop.com. This is a collection of Automator Actions that allow you to drive Photoshop from Apple’s Automator on Mac OS X. If you’ve never used Automator before, it provides a simple, drag and drop mechanism for creating complex automated workflows. Of course, Photoshop has its own Actions built-in actions facility, but Automator lets you build automations that include other applications, in addition to Photoshop. What’s more, with the Photoshop Automator Action Pack you can build workflows that include branching logic – different operations can be applied to different images based on their size, orientation, bit depth and more. If you’d like to experiment with Automator, a free version of the Photoshop Automator Action Pack is also available at RobotPhotoshop.com along with lots of tutorial videos.
Yesterday I mounted the Ricoh Theta on my motorcycle’s handlebars and went for a spin with a friend. The Theta software has a built-in Tiny Planets feature that is very fun. Sadly, it only outputs a final product that’s 640 pixels wide, but given that it’s a 2-button solution to create this effect, I’m still impressed! Read more »
Very often, good photos are the result of a photographer being able to recognize the potential in a scene, and very often that potential is one based around manipulating tone. Learning to develop an eye for tone will not only allow you to get better shots, it will open up a realm of subject matter that you may not normally recognize. For example, consider this shot:
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After finishing up a ten-day job last week I came to Oklahoma to visit my parents. Tired from the previous week-and-a-half of shooting, and not wanting to think any more about images, I spent a couple of days ignoring my camera. But, with each day bringing nice afternoon light, I quickly began to worry about falling out of practice. I didn’t feel up to getting out for any kind of big shooting expedition and didn’t have any need for particular kinds of images so I decided that simply doing some exercises was all I needed. It’s often difficult to have a fresh eye in a well-known environment, so goal-driven, exercise-oriented shooting can often get you capturing frames in places where you normally feel there’s nothing to shoot.
Read on for more details about the exercise that I tasked myself with.
Ow. I’ve been having a lot of pain in my left shoulder lately. It might just be age, but I can’t help thinking that all these years of carrying a camera bag on that shoulder have left me messed up. The years of having a pound of bird riding on that shoulder probably didn’t help either.
This site has been running off of WordPress for years – since way back at WordPress version 1 – and hasn’t had a re-design since WordPress 2 was released. Recently, I encountered Squarespace while helping a friend put a site together. I was very impressed by Squarespace’s ease-of-use, beautiful designs and thorough feature set. Seeing Squarespace also made me realize that my own site was looking very dated, so I decided it was time to bring completedigitalphotography.com into the modern web era. This posed an immediate quandary: should I stick with WordPress or migrate to Squarespace? Which, I wondered, was best for a photo site?
On The Practicing Photographer this week, I talk to fashion photographer Troy Word about his use of Polaroid. Along the way, he brings us up-to-date on where the current state of Polaroid is, how you can easily get into Polaroid gear, how to mix it with digital, and what you can expect to spend along the way. Most importantly, he speaks to how it can change the way your photographic eye works. You can watch it right here.
This summer, for some reason, a friend and I drove a tiny Fiat Panda from London to Mongolia. Though I have a 13″ MacBook Air, I decided to take my iPad with me on the trip instead of a “real” computer. I also took a good amount of photography gear, which meant that the iPad had to support a fairly full photo workflow. This article details how I made it work, and what I found I could and couldn’t do. The good news is that, if you manage your expectations, and grab the right apps, you can run an effective post-production workflow directly from your iPad.
|In my Lynda.com Macro and Close-up course, I cover the simple basics of reversing the lens you already have to turn it into a macro lens. This gives you an extremely easy way to start shooting macro, without having to invest in any special gear. If you give this technique a try, and find it useful, then you’ll want to watch my Lens-Reversal Macro Photography course which goes into more detail of how to get good macro results when shooting with a reversed lens. You’ll see how to re-gain aperture control, how to mount your lens to your camera backward, and how to stack multiple lenses to get even more macro power. Check it out now!Foundations of Photography: Macro and Close-up