DECEMBER 2020: The Photoshop Automator Actions do not work with recent versions of macOS, and are no longer available. [RobotPhotoshop.com has since gone offline.]
The Photoshop Automator Action Pack has been updated for Photoshop CC 2018, and you can buy the latest version at RobotPhotoshop.com. This is a collection of Automator Actions that allow you to drive Photoshop from Apple’s Automator on Mac OS X. If you’ve never used Automator before, it provides a simple, drag and drop mechanism for creating complex automated workflows. Of course, Photoshop has its own Actions built-in actions facility, but Automator lets you build automations that include other applications, in addition to Photoshop. What’s more, with the Photoshop Automator Action Pack you can build workflows that include branching logic – different operations can be applied to different images based on their size, orientation, bit depth and more. If you’d like to experiment with Automator, a free version of the Photoshop Automator Action Pack is also available at RobotPhotoshop.com along with lots of tutorial videos.
November 9, 2012 by Ben Long & filed under Reviews
To me, one of the most unexpected byproducts of digital photography is that it has rekindled tremendous interest in film processes of one kind or another. Alien Skin’s Exposure 4 plug-in for Photoshop lets you explore all sorts of film processes without ever having to soak your hands in noxious chemicals. I recently spent some time with the latest version, and was pleased to find that it remains an excellent option for users who want either a specific traditional film look, or any kind of analog, or grunge process. You can read my entire review here.
The seventh, and latest, edition of this site’s namesake book is now available. The newest version of Complete Digital Photography features full updating for Photoshop CS6, the latest version of Camera Raw, and new sections on composition, low light shooting, printing, and workflow. For the most part, the book maintains the organization of the last edition, with a few new sections and a few others eliminated. In addition to the included step-by-step post-production tutorials included in the book, many additional tutorials are included on the companion web pages. Order your copy now!
February 25, 2012 by Ben Long & filed under Features
In most of your image editing endeavors, you probably find yourself striving to achieve more contrast in your images. This probably leads you to crank up black points, and make sure your whites are as white as possible. There are times, though, when less contrast will give you a better image. I first covered this idea in 2005, in this article. Recently, the subject came to my attention again, as I decided that the best way to handle an image was to dramatically reduce the contrast. This time, I took a different approach to solving the problem.
November 1, 2011 by Ben Long & filed under General
As amazing as current digital camera technology is, it can’t compare with those two squishy orbs in the front of your head. In addition to great autofocus, exceptional white balance, and amazing low light capabilities, your eyes also have tremendous dynamic range (that is, an ability to perceive an extremely wide range of dark to light). In fact, your eyes probably have almost twice the dynamic range as the digital camera you’re currently using.
Unlike film photographers, most of whom would never have considered carrying a darkroom with them, (though there are some that do) as digital shooters we expect to have a little post-production capability in the field, if for no other reason than to offload media. While I normally travel with a Macbook Air, or a netbook Hackintosh, for this trip, I decided to try to make due with only an iPad, for a few different reasons.
The whole story of what I did, and how it worked is detailed right here.
November 11, 2010 by Ben Long & filed under Features
I travel a lot, and when on the road I typically carry several cameras, a computer, my Kindle, all the associated chargers, cords, extra hard drives and other accoutrements necessary to move my digital world with me. If there’s any room left over, I also consider taking clothes and those other secondary items. Needless to say, my bag’s heavy, so I’m constantly looking for ways to lighten it. For the past couple of years I’ve been carrying a 13″ Macbook, which has been a great computer, and fully capable of everything I need for months-long excursions. But it was very difficult not to note the new 13″ Macbook Air upon its release. More specifically, to note that it weighs 1.5 pounds less than my 13″ Macbook. What wasn’t obvious was whether it was enough computer to handle a digital photo workflow. So I bought one. Here’s how it stacks up. Read more »
Photoshop’s a great image editor, and all, but you need a lot of money to get it. If you’re a Mac-based photographer who’s been looking for a more affordable alternative, and iPhoto is not for you, then you might want to consider Pixelmator, an incredibly speedy Photoshop alternative that offers a fair amount of power at a reasonable price. Read the full review here.
A photographer friend recently sent me this extraordinary collection of color images shot during the Depression. One of the things that’s fascinating about looking at them is that we simply are not accustomed to this subject matter being in color. It’s a fine example of McCluhan’s “medium is the message” idea. Your choices of black and white or color, grungy or sharp, saturated or muted – all of these have a huge impact on the reaction the viewer will have. For film photographers, many of these decisions are determined by film choice, and the ability to choose specific films to achieve a particular look or feel is one of the great advantages of film shooting. Alien Skin Exposure, a sophisticated film-simulating Photoshop plug-in, gives this same power to digital photographers. Read more »
Only a couple of years ago, I wouldn’t have spent any time talking about shooting with a cell phone camera. It’s not that I have anything against lo-fi imagery, it’s just that for years, cell phone cameras were more akin to no-fi photography. The iPhone offers a very good camera (for a cell phone) as well as the ability to edit images on the device, and print. (If you haven’t seen this, it’s worth a look to see an extremely serious application of the iPhone camera.) If you’ve been wondering about editing your iPhone images, this article will help you get started, while this will walk you through printing – both from the phone, and from your computer.