Last year, not long after it came out, I bought a Fuji X100 because I was intrigued by the promise of a small, rangefinder-like camera with a fixed 35mm lens. I liked the idea of being forced to shoot with a specific field of view; I loved the look and feel of the camera; and it’s hard to beat Fuji’s lens and image quality. What was easy to beat, at the time, was the X100’s autofocus and clumsy menu system. These issues were so frustrating that I sold the camera not long after I bought it. I came to mildly regret this decision as Fuji released firmware updates that addressed many of the issues that had bothered me, but didn’t think seriously about returning to the camera. But with the release of the Fuji X-E1, I couldn’t resist giving Fuji another chance. Here are some of my impressions and thoughts about Fuji’s latest mirrorless camera.
|Mostly, good photography is about the skill of the photographer. That said, a lot of photographs are only possible with the right type of lens, and there are a lot of lenses out there tailored to very specific types of shooting. In this new course, I go into detail on how to shoot with ultra-wide-angle lenses, super telephotos, fisheyes, Tilt/Shift, and more. If you’ve been wondering if any of these types of lenses are right for you, or you’ve already got one and want to know more about what it can do, then you’ll want to check out my Lynda.com course Foundations of Photography: Specialty Lenses.|
|To me, one of the most unexpected byproducts of digital photography is that it has rekindled tremendous interest in film processes of one kind or another. Alien Skin’s Exposure 4 plug-in for Photoshop lets you explore all sorts of film processes without ever having to soak your hands in noxious chemicals. I recently spent some time with the latest version, and was pleased to find that it remains an excellent option for users who want either a specific traditional film look, or any kind of analog, or grunge process. You can read my entire review here.|
|If you’re the lucky own of a Nikon D800 or Canon EOS 5D Mark III, and you’d like to know more about how to use either camera, then you’ll want to check out my two latest Lynda.com courses. Both classes walk you through all the critical features and operations of each camera, and are designed to work in concert with my Foundations of Photography series. Note that the 5D Mark III class is also ideally suited for users of the 5D Mark II. Click here if you’re a 5D user or click here if you’re a D800 user.|
I’ve been shooting with Canon SLRs for a long time, and for the most part, I’ve always been pleased with the camera’s metering. Granted, I can never remember which icon corresponds to which metering mode, but now that I keep the PDF of the manual on my phone, I can always look it up. During a recent shoot, though, I came across a curious detail about Evaluative metering that I never knew – one that can dramatically alter metering behavior in certain situations.
|While our topic of choice at this site is digital photography, when it comes to final output, I still want my photos on paper. These days, quality output to paper means inkjet printing, and in this course, I’ll walk you through everything you need to know to get fine-art quality inkjet prints. Whether you’re working on color or black and white, with or without a color-managed system, this course will show you how to get the best prints possible from your inkjet print. Click here to get started watching now.|
|Better gear won’t necessarily make you a better photographer, but having the wrong gear can certainly make it more difficult to get the shots you want. In this 3-hour Lynda.com course you’ll see my entire thought process as I equip and prepare for three different kinds of shoots. Through examples of heavyweight, mid weight, and lightweight shoots, you’ll see how I tackle the problems of choosing shooting gear, power, storage, and post-production equipment. You’ll also see how I strategize methods for carrying all this stuff. Discussing everything from tripods to bags and batteries, this course is ideal for anyone who shoots while traveling, and wants a better plan for selecting the right gear. Click here to get started watching now.|
|The seventh, and latest, edition of this site’s namesake book is now available. The newest version of Complete Digital Photography features full updating for Photoshop CS6, the latest version of Camera Raw, and new sections on composition, low light shooting, printing, and workflow. For the most part, the book maintains the organization of the last edition, with a few new sections and a few others eliminated. In addition to the included step-by-step post-production tutorials included in the book, many additional tutorials are included on the companion web pages. Order your copy now!
|Hi. My name is Ben and I’m a bag addict. It’s true, I have a problem. For years, I was convinced that there was a single, perfect camera bag out there in the world somewhere. So, over the years, I have amassed an embarrassing assortment of bags. A while ago, I came to realize that there is no single camera bag that’s appropriate for every situation, which only exacerbated my problem, because now I have a perfect justification for owning still more bags. Alas, the discovery of Mountainsmith Kit Cube has made the whole situation even worse, because with the Kit Cube, I can turn any bag into a camera bag. This means my bag fetish is no longer constrained to just camera bags!|