Yesterday I mounted the Ricoh Theta on my motorcycle’s handlebars and went for a spin with a friend. The Theta software has a built-in Tiny Planets feature that is very fun. Sadly, it only outputs a final product that’s 640 pixels wide, but given that it’s a 2-button solution to create this effect, I’m still impressed!
Ow. I’ve been having a lot of pain in my left shoulder lately. It might just be age, but I can’t help thinking that all these years of carrying a camera bag on that shoulder have left me messed up. The years of having a pound of bird riding on that shoulder probably didn’t help either.
Last year, not long after it came out, I bought a Fuji X100 because I was intrigued by the promise of a small, rangefinder-like camera with a fixed 35mm lens. I liked the idea of being forced to shoot with a specific field of view; I loved the look and feel of the camera; and it’s hard to beat Fuji’s lens and image quality. What was easy to beat, at the time, was the X100’s autofocus and clumsy menu system. These issues were so frustrating that I sold the camera not long after I bought it. I came to mildly regret this decision as Fuji released firmware updates that addressed many of the issues that had bothered me, but didn’t think seriously about returning to the camera. But with the release of the Fuji X-E1, I couldn’t resist giving Fuji another chance. Here are some of my impressions and thoughts about Fuji’s latest mirrorless camera.
|If you’re the lucky own of a Nikon D800 or Canon EOS 5D Mark III, and you’d like to know more about how to use either camera, then you’ll want to check out my two latest Lynda.com courses. Both classes walk you through all the critical features and operations of each camera, and are designed to work in concert with my Foundations of Photography series. Note that the 5D Mark III class is also ideally suited for users of the 5D Mark II. Click here if you’re a 5D user or click here if you’re a D800 user.|
|The seventh, and latest, edition of this site’s namesake book is now available. The newest version of Complete Digital Photography features full updating for Photoshop CS6, the latest version of Camera Raw, and new sections on composition, low light shooting, printing, and workflow. For the most part, the book maintains the organization of the last edition, with a few new sections and a few others eliminated. In addition to the included step-by-step post-production tutorials included in the book, many additional tutorials are included on the companion web pages. Order your copy now!
|There’s a lot to know to be a capable photographer. Exposure theory, lighting, composition. On top of all that, there are all those buttons and dials on your camera. To help you understand exactly how your camera works, you might want to check out one of my camera-specific courses at Lynda.com. These courses will work you through all of the features of their respective cameras, and help you understand those features in the context of larger photographic theories. Courses are now available for the Canon EOS60D, the Nikon D7000, the Canon Rebel T3i, and the Nikon D5100.|
|If you’re not already familiar with Micro Four Thirds, you should be. A standard camera spec that offers a nearly perfect compromise between the size of a high-end point-and-shoot, and the image quality and shooting flexibility of an SLR, Micro Four Thirds might be the perfect companion for your SLR, or high-end point-and-shoot. (You can learn all about Micro Four Thirds – what it is and why you should care – here. The best way to find out if Micro Four Thirds is right for you is to try it, and that’s now easier than ever thanks to Borrowlenses.com, which now rents Micro Four Thirds cameras and lenses. Check out their offerings, rent a camera, and see if Micro Four Thirds is right for you.|
Five years ago, I wrote this piece on whether you should buy a full-frame or cropped sensor digital camera. At the time, cameras with a full-frame sensor were substantially more expensive than cropped-sensor cameras, and a lot of people believed that, eventually, cropped-sensor cameras would be phased out and replaced by more affordable full-frame cameras. Five years later, we’ve seen that that’s not going to happen, but the question remains: do you need full-frame or is a cropped sensor camera okay?
While the Panasonic GF-1 Micro Four Thirds camera is a great option for SLR or point-and-shoot users, photographers who are used to an optical viewfinder – especially those shooters coming from an SLR – might find themselves frustrated by the camera’s LCD-only viewfinder. For these users, Panasonic has created a clip-on electronic viewfinder that serves as a credible replacement for a quality optical viewfinder, though with a few caveats.
Panasonic’s DMC-GF1 marks the company’s first release of a compact Micro Four Thirds camera, and a direct competitor to Olympus’ E-P1. Offering SLR quality and power in a package that’s close to point-and-shoot size, the GF1 (and Olympus’ E-P1) defines an entirely new class of camera. Bridging the market between high-end point-and-shoots, and SLRs, the camera will appeal to beginning shooters who want to expand their capabilities, and high-end shooters who want a second camera that’s easy to carry. Read my Panasonic GF1 Review.