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Photoshop CS5 has been shipping for a couple of weeks now, and if you follow such things, you’ve probably already heard about its new features. Photoshop serves many markets, from photography to graphic design to movie and web site production, so determining an overall assessment of the program can be tricky, as different markets have different needs. For photographers, though, Content-Aware Fill and the new Camera Raw are reason enough to upgrade. Many other features abound, and you can read about them in my comprehensive review. |
Wacom Cintiq 21ux
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As I’ve said before, anyone who performs a lot of image editing needs a pressure-sensitive tablet, and no one makes better tablets than Wacom. A lot of people, though, don’t like the coordination of drawing in one place while looking at another. For these people, Wacom has long sold the Cintiq line of screen/tablet combos. These are LCD screens that have a built in pressure sensitive tablet. |
Migrating From Bridge CS4 to CS5
While Photoshop tends to get most of the press during major upgrades, Bridge users have a few things to be happy about with the CS5 release. The new Export tab, which bundles Photoshop Image Processor-like functionality right into Bridge; the Mini Bridge which bundles Bridge right into Photoshop; new Batch Rename functionality and new Output features, and other tweaks and modifications make Bridge CS5 a welcome upgrade. Unfortunately, as with Photoshop, Adobe has not seen fit to add any migration features for moving Bridge database information into CS5. However, with a few file copies, it appears that you can move the bulk of your important Bridge data to the new version.
Revisited: Do you need a full-frame sensor?
Five years ago, I wrote this piece on whether you should buy a full-frame or cropped sensor digital camera. At the time, cameras with a full-frame sensor were substantially more expensive than cropped-sensor cameras, and a lot of people believed that, eventually, cropped-sensor cameras would be phased out and replaced by more affordable full-frame cameras. Five years later, we’ve seen that that’s not going to happen, but the question remains: do you need full-frame or is a cropped sensor camera okay?
Choosing the Right Photo Paper
Call me old-fashioned, but I don’t really feel like an image is done until it’s on paper. I find reflected color to be much prettier than the garish color that comes out of a computer monitor, and there’s just something about having a physical object that is very enjoyable. However, choose the wrong paper, and you can easily end up with a very disappointing final product. These days, paper choice is a good news, bad news situation. The bad news is that there are lots of papers out there to choose from, so it’s easy to become overwhelmed. The good news is that there are lots of papers out there to choose from, so you should be able to find something that precisely meets your needs.
Why You Need a Pressure-Sensitive Tablet
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Over the years, I’ve found that photographers tend to fall into two categories: those that edit heavily, and those that rarely edit at all. Of course, this is a generalization, and most users do some kind of editing. But in general, it seems like photographers either edit heavily, or they simply try to work with what comes out of the camera. If you’re the type who edits heavily, then you should seriously consider getting a pressure-sensitive tablet. For re-touching, cutting masks, or performing any painting-based edits, a tablet can make your editing process much easier, and even enable some edits that are impossible, or extremely difficult, with a mouse. If you’re not clear why you might want a tablet, here’s a detailed discussion of the advantages, and a look (with video) at the new Wacom Intuos 4 Wireless tablet.. |
Some new photo gadgets
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As many of you probably know, it isn’t easy being a nerdy gearhead. Oh sure, exploring and mastering a new gizmo isn’t too hard, but keeping your gizmo fix satisfied is not only expensive, but time consuming. Fortunately, with the recent spate of photo-related trade shows, there are a number of cool new photo gadgets to consider. Here’s a quick look at seven photo-related hardware accessories that you might want to consider. |
Choosing a tripod
You may think you’re a camera geek, but if the thought of a new tripod or head doesn’t get your palms sweaty, then you still have a ways to go to plumb the true depths of your photo-related nerd potential. Personally, I have two tripods, a couple of heads, and a fairly large assortment of smaller stabilization gizmos, and yet it’s always hard to walk past the tripod section at the camera store without stopping to feel the weight of this tripod, admire the new composite material of another tripod, or test the latest locking levers on still another tripod. If you don’t have a tripod fetish, then choosing a tripod might be something of a mystery, as it may seem like little more than three sticks joined at the top. But oh, a tripod can be so much more.
Quantity Leads to Quality
One of the most common mistakes I see in photo classes is that students don’t shoot enough. I don’t mean that they don’t spend enough hours out taking pictures, I mean that when they see a potential subject they don’t shoot enough frames of it. Many people have the mistaken idea that a good photographer walks into a situation, sees their subject, determines how best to shoot it, takes the final shot, and then goes home to wait for that image to appear on the cover of a magazine. Alas, this isn’t true. To get good results, you have to shoot a lot of frames of your subject. This process of working your subject can be a difficult one for some people to learn, but here’s an example of what I’m talking about.
Build Your Own Network Attached Server (Drobo)
I’ve been writing about digital photography for a long time, and I’m not sure how many times I’ve written something to the effect of: “one of the great things about digital photography is that you can shoot and shoot without having to pay for film and processing.” And while this is true, it completely ignores the fact that you still have to pay for disk storage. As your image archive grows, choosing a storage strategy can become fairly complicated. I recently found what I think is an ideal solution, in the form of a do-it-yourself Network Attached Server called an unRaid. My unRaid has many of the best features of other systems such as RAIDs or Drobos, but for far less money.